This is a new version of Krotos Studio that runs directly inside Adobe Premiere. It works differently to the standalone and plugin versions of Krotos Studio. Instead of creating a sound effect in a UI, dragging the file to your timeline and syncing it by hand, you select a region of your timeline that includes video, and sound effects are selected and synced automatically on the timeline.
Once they are on the timeline, you can swap them for other sound effects of the same element, for something more appropriate to your vision, all while maintaining the sync.
This is powered by our Video to Sound technology and our vast library of high-quality, royalty-free sound effects recorded by some of the world's best sound designers.
The panel is AI-assisted. It does NOT use generative AI to create or synthesise audio.
For the Beta, you can choose a number of different elements for a scene:
These are automatically chosen, downloaded and synced based on the region of video you've selected.
Footsteps are not yet complete, but they will arrive in the panel very soon.
Note: Ambiences must be selected in this version. They are locked for the first version of the beta.
For some of these elements, you can re-roll or swap assets on the timeline while keeping the sync.
Note: Ambiences and Cloth cannot be customised at this time.
For Whooshes, Risers and Impacts, you can re-roll or swap out assets.
Use the category and intensity options to select a direction, then hit Re-roll to swap the assets.
No. All our use of AI is assistive, not generative. We use real, high-quality recordings made by our sound designers. We use AI to decide which sound effects to choose, combine and add to your project. Nothing is generated or synthesised.
We are working on a game-changing solution for footsteps. It should arrive very soon.
For the Beta, there is a fixed limit. You can analyse different numbers of regions based on your plan (this also applies to the beta):
Assets are stored in a persistent folder, but not in the project folder for the time being.